![]() (But really, it looks much better to give Ryuko her own page and not have Nonon standing next to nobody.)Īlso, one of the first things that popped out to me about LOVE LOVE is how Senketsu’s pages are right next to Ryuko’s pages. So, in LOVE LOVE, is Sushio deliberately trying to say something with the changed placement? Especially when it comes to the direction of the ladies’ eyes? There, Satsuki was next to Ryuko, Nonon was next to no one, Mako and Mataro were next to Ira, and Uzu was next to Houka: …which strikes me as a bit funny because this isn’t exactly how Sushio organized his Tweets of these images. …and then the next pages have Satsuki beside Nonon and Mako (and Mataro) beside Ira… (Smiling for her Starketsu in the sky, right? Just like he asks her to in “Till I Die”?) Like, I couldn’t help but be amused about how Ryuko gets her own page here… I mean, aw? It’s stuff like this that really makes me wish Kill la Kill were a kids’ show ( as Sushio himself seemed to want!) Barazo is so much more likeable when there aren’t any signs of his less-than-pleasant behavior and he’s a loving, supportive husband and father.Īnother thing I notice from having the book now is the order in which the pages are organized. ![]() For instance, I found myself charmed by the little detail of Barazo, Mako’s father, loving and adoring Sukuyo, Mako’s mother. I know there’s such a strong desire for digital media these days, but call me old-fashioned-there’s nothing quite like holding this art and really seeing every stroke and line in person.īeing able to physically flip through the pages also makes me notice things I didn’t before. In any case, I don’t think any of the content in LOVE LOVE was new to me, but there’s just really something about having the book in my hands. Ryuko resorting to such wild extremes to be with Senketsu again is just. (Okay, maybe this isn’t exactly the best demonstration of Sushio’s absolutely precious artwork, but. There’s such a cute, sweet charm to Sushio’s work, and along with the polished, colored pages from LOVE LOVE that he shares online, he also shares sketches of his own fanart for the series, too. Sushio-who is the character designer for Kill la Kill-has shared much of this book on his Twitter, and I would definitely recommend fans of the series to scroll through his photos and have a look. The art is completely intact and beautiful. (My reaction to “not suitable for collection” is always, “It’s suitable for my garbage collection! I’ll give your ‘ugly’ copies a loving home!”)īut, like? There are a couple of dents and folded corners, but the condition is really not bad at all. ![]() So, I got this book for cheap because it was allegedly in poor shape and “not suitable for collection.” Kill la Kill Manga Volume 3: Translation Notes, Anime DifferencesĪnd now, I wanna briefly (lol) yap about the six new additions to my collection.īecause I have a lot of love in my heart for this ridiculous, ridiculous anime. Kill la Kill Manga Volume 3, Chapters 8-17: Thoughts and Impressions I also have several essays discussing the official manga adaptation: 3 here (and I have a whole tag for the script book, #klk-script-book), and I yammer on about the nine Blu-ray key art collection and artboard books here. My post about the Talking About Composite books, The Complete Script Book, and The Art of KLK Vol. SUSHIO CLUB LOVE LOVE KLKL has been a glaring omission from my collection, so when I saw a listing of the book for 3,600 yen-which usually goes for 10,000+ these days-I bought it right away.Īnd I figured I might as well pick up a few more things while I was at it, right? To make the shipping more cost effective?īut anyway, my growing mass of Kill la Kill books and magazines has now reached 36 items.Īnd I’ve talked about some of this merch before you can find my post about the Febri volume 21 issue here, my post about Fractal 10 here, Got a small haul of Kill la Kill books the other day!
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